Kuda Lumping / Jaran Kepang

Jaran Kepang

Jaran Kepang or Kuda Lumping is literally s flat horse which made by flat bamboo woven. Jaran Kepang is a traditional Javanese dance depicting a group of horsemen. The dancers “ride” horses made from woven bamboo and decorated with colorful paints and traditional cloth.

Generally, the dance portrays troops riding horses, but another type of Kuda Lumping performance also incorporates trances and magic tricks. When the “possessed” dancer is performing the dance in trance conditions, he can display unusual abilities, such as eating glass and resistance to the effects of whipping or hot coals. Although the dance is native to Java, Indonesia, it also performed by Javanese immigrants in Suriname, Malaysia and Singapore.

Kuda Lumping may be performed in celebration of a special event, such as a boy’s circumcision or rite of passage. It may also be performed as entertainment, in a busker style. It is generally performed in a cordoned-off area, with the audience separated from the dancers.

Dancers perform using rattan horses, generally colourful and decorated with beads and sequins. Adults use larger horses than children. Children’s horses may also be cut from bamboo mats. Performers wear colorful clothes and may occasionally dress as soldiers. The costume may also include small bells strung around the ankle. In comparison to the shaman, the dancers’ costumes are more feminine.

Remo Dance, East Java Traditional Dance

Remo Dance

Remo dance is originating from Jombang regency, East Java. At early begin, this dance was used as an opening show before Ludruk show. In times, this dance is practically performed as a welcome dance in special occasion like state ceremonies and local arts festival.

Remo dance is telling about the struggle of a prince in a battle. Hence, this dance is performed by a man, or today, it is performed by a woman who dressed up like a man. By that case, today, there is a type of Remo dance, which is Remo Putri or type of Remo dance which performed by a woman.

The main characteristic of Remo dance is a smart footwork and dynamic movement. This movement is supported by the bells that attached at the ankle. This bell will sounds when the dancers stepping or stomping on the stage. In addition, the other movement characteristic is taken from the scarf or sampur, nod and shake of the head movements, facial expressions, and the horses movement make this dance more attractive.

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Reog Ponorogo

Reog is a traditional dance that becomes the main identity from Ponorogo regency. By this traditional culture, Ponorogo is also famous as Reog city.

This kind of traditional art dance and theater has been popular in Indonesian even worldwide. Reog National Festival is being held every years along the anniversary of Ponorogo regency and followed by Grebeg Suro celebration.

According to the background of the study, Reog is telling about the struggle of a prince who proposing his lovely pretty princess. This dance is staged about 25 – 40 dancers and musicians. Other interesting part of Reog is in the main leading figure named Singo Barong.

The leading figures in Reog include Kelono Sewandono, Bujang Anom, Jatil and Warok. Klono Sewandono, is a men in regal attire wearing mask in proud and pompous dance, play the role as the King of Ponorogo. Bujang Anom, is rough youthful men wearing red mask, and they performed acrobatic dances and sometimes also involved trance. Jatil, is handsome horsemen riding horses made of weaved bamboo, similar to Kuda Lumping dance. Today Jatil usually performed by female dancers.

While, Warok, is played as Singo Barong. A warok is the honorary title of local hero or strongman of the village that possessed both exceptional spiritual and physical strength. The dance itself is demonstration of physical strength of the dancers. The dancers of Singo Barong should bear the mask for about 30 – 40 kg weight and supported by the strength of their teeth.

The visitors can enjoy this traditional dance only in Ponorogo, East Java – Indonesia. However, if we are lucky we can see Reog show in any other cultural events outside Ponorogo, but the dancers and the teams are still coming from Ponorogo.

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Caping Ngancak Dance

Caping Ngancak dance is one of traditional dances in Lamongan regency. The dance is describes about farmers in their rice field showing the process from grow the rice until they get harvest. Like farmers, the dancers also wearing ‘Caping’, which is a special hat that only wore by farmer in Indonesia.

This dance is performed by group of young females who wore village costumes in modern style and bring Caping as the main property.

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Singo Ulung Dance

Singo Ulung dance is a traditional art dance from Bondowoso that annually been performed at Bondowoso’s anniversary. This traditional dance was created by a respected man named Singo. Singo was name of a person who came from Blambangan. He was ran from Blambangan to save himself and stayed in Blimbing village, Klabang district Bondowoso. Singo Ulung and his wife Nyi Moena with Ki Jasiman, were helping and cooperating each other to create a prosperous life of society at Blimbing village. He cared about the rice field and the other people daily needed. Many people were proud about him. Thats why, he was choose to become the first head village of Blimbing village.

One day, he had an idea to create a public traditional dance called Singo Ulung which was played by two people. This dance has accompanied with particular music which makes the audience feel astonished. This art together with Pojian art, Ojung art are always showed at the traditional ceremony namely Bersih Desa Blimbing which is always held every year (the month of Syaban / Ruwah). In the other hand, this art performance can be enjoyed in the annual moment of Hari Jadi Bondowoso precisely at 16 August.

More details
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Madura Dance - Madura

Madura Traditional Dance

Drajat traditional dance. This dance is symbolizing the rise of the prince to be a heir of the King. Brought by Madurese girls, this dance is usually shown for welcoming the importan guests who passing by to Madura.

Rondhing Dance, is one of an origin dance of Pamekasan, Madura which now start to be developed bt group of artistry in local area. This dance actually is symbolising the struggle of Pamekasan people against the colonist.

Like other dance which growing in Madura, Rondhing dance is usually accompanied by gamelan music instrumental or being called as saronen.

More info visit: www.madura.eastjava.com

Bondowoso Traditional Dance

Singo Ulung dance is a traditional art from Bondowoso regency that annual performed in Bondowoso anniversary. This traditional dance was created by a respected man named Singo. Singo was name of a person who came from Blambangan.

More info visit: www.bondowoso.eastjava.com

Madura Traditional Dance - Madura

Madura Traditional Dance

Drajat traditional dance. This dance is symbolizing the rise of the prince to be a heir of the King. Brought by Madurese girls, this dance is usually shown for welcoming the importan guests who passing by to Madura.

Rondhing Dance, is one of an origin dance of Pamekasan, Madura which now start to be developed bt group of artistry in local area. This dance actually is symbolising the struggle of Pamekasan people against the colonist.

Like other dance which growing in Madura, Rondhing dance is usually accompanied by gamelan music instrumental or being called as saronen.

More info visit: www.madura.eastjava.com

Praburoro Traditional Dance - Banyuwangi

Praburoro Dance

The word of Praburoro comes from the character of this performance whose name is Roro Rengganis. Praburoro is a type of dramatic dance. The stories that are performed come from the Panji, or the tale of Amir Hamzah, which is influenced by Islamic Persian stories. There are about 40 – 50 people who are involved in this performance. The players are divided into 3 groups.

The musical instrument is the gamelan of Java with slendro tone (a typical Javanese gamelan tone). Praburoro is a very unique presentation. First of all, the dance is a Javanese dance. The costumes are modeled after the wayang (puppet) orang performance. The musical instrument is the Javanese gamelan. The songs are also Javanese. However, the songs can be the songs of the Banyuwanginese; such as Padang Ulan, Waru Doyong, Kembang Waru, etc. The story is about the conquest of a non-moslem country. The performance ends with the scene of the King that has been conquered by Menak Agung Jayengrono and Umarmoyo.

For more details:
www.banyuwangi.eastjava.com

Madura Traditional Dance - Madura

Rondhing Dance

This Madura’s traditional dance is such a greetings dance for welcoming the honor guesses. Historically, this dance is symbolizing the step for a prince to be a king at Madura ancient kingdom.

This dance was originally come from Pamekasan, the other part of Madura’s area. Hence, this dance also become the symbol of Pamekasan inhabitant struggle against the colonist.

Like other dance type growing in Madura, Rondhing dance is using the attendant of gamelan music or ordinary called as saronen. This dance was popular in 1960-an year.

More info visit: www.madura.eastjava.com